abc.abc 5.5 KB

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  1. %abc-2.1
  2. H:This file contains some example English tunes
  3. % note that the comments (like this one) are to highlight usages
  4. % and would not normally be included in such detail
  5. O:England % the origin of all tunes is England
  6. X:1 % tune no 1
  7. T:Dusty Miller, The % title
  8. T:Binny's Jig % an alternative title
  9. C:Trad. % traditional
  10. R:DH % double hornpipe
  11. M:3/4 % meter
  12. K:G % key
  13. B>cd BAG|FA Ac BA|B>cd BAG|DG GB AG:|
  14. Bdd gfg|aA Ac BA|Bdd gfa|gG GB AG:|
  15. BG G/2G/2G BG|FA Ac BA|BG G/2G/2G BG|DG GB AG:|
  16. W:Hey, the dusty miller, and his dusty coat;
  17. W:He will win a shilling, or he spend a groat.
  18. W:Dusty was the coat, dusty was the colour;
  19. W:Dusty was the kiss, that I got frae the miller.
  20. X:2
  21. T:Old Sir Simon the King
  22. C:Trad.
  23. S:Offord MSS % from Offord manuscript
  24. N:see also Playford % reference note
  25. M:9/8
  26. R:SJ % slip jig
  27. N:originally in C % transcription note
  28. K:G
  29. D|GFG GAG G2D|GFG GAG F2D|EFE EFE EFG|A2G F2E D2:|
  30. D|GAG GAB d2D|GAG GAB c2D|[1 EFE EFE EFG|[A2G] F2E D2:|\ % no line-break in score
  31. M:12/8 % change of meter
  32. [2 E2E EFE E2E EFG|\ % no line-break in score
  33. M:9/8 % change of meter
  34. A2G F2E D2|]
  35. X:3
  36. T:William and Nancy
  37. T:New Mown Hay
  38. T:Legacy, The
  39. C:Trad.
  40. O:England; Gloucs; Bledington % place of origin
  41. B:Sussex Tune Book % can be found in these books
  42. B:Mally's Cotswold Morris vol.1 2
  43. D:Morris On % can be heard on this record
  44. P:(AB)2(AC)2A % play the parts in this order
  45. M:6/8
  46. K:G
  47. [P:A] D|"G"G2G GBd|"C"e2e "G"dBG|"D7"A2d "G"BAG|"C"E2"D7"F "G"G2:|
  48. [P:B] d|"G"e2d B2d|"C"gfe "G"d2d| "G"e2d B2d|"C"gfe "D7"d2c|
  49. "G"B2B Bcd|"C"e2e "G"dBG|"D7"A2d "G"BAG|"C"E2"D7"F "G"G2:|
  50. % changes of meter, using inline fields
  51. [T:Slows][M:4/4][L:1/4][P:C]"G"d2|"C"e2 "G"d2|B2 d2|"Em"gf "A7"e2|"D7"d2 "G"d2|\
  52. "C"e2 "G"d2|[M:3/8][L:1/8] "G"B2 d |[M:6/8] "C"gfe "D7"d2c|
  53. "G"B2B Bcd|"C"e2e "G"dBG|"D7"A2d "G"BAG|"C"E2"D7"F "G"G2:|
  54. X:4
  55. T:South Downs Jig
  56. R:jig
  57. S:Robert Harbron
  58. M:6/8
  59. L:1/8
  60. K:G
  61. |: d | dcA G3 | EFG AFE | DEF GAB | cde d2d |
  62. dcA G3 | EFG AFE | DEF GAB | cAF G2 :|
  63. B | Bcd e2c | d2B c2A | Bcd e2c | [M:9/8]d2B c2B A3 |
  64. [M:6/8]DGF E3 | cBA FED | DEF GAB |1 cAF G2 :|2 cAF G3 |]
  65. X:5
  66. T:Atholl Brose
  67. % in this example, which reproduces Highland Bagpipe gracing,
  68. % the large number of grace notes mean that it is more convenient to be specific about
  69. % score line-breaks (using the $ symbol), rather than using code line breaks to indicate them
  70. I:linebreak $
  71. K:D
  72. {gcd}c<{e}A {gAGAG}A2 {gef}e>A {gAGAG}Ad|
  73. {gcd}c<{e}A {gAGAG}A>e {ag}a>f {gef}e>d|
  74. {gcd}c<{e}A {gAGAG}A2 {gef}e>A {gAGAG}Ad|
  75. {g}c/d/e {g}G>{d}B {gf}gG {dc}d>B:|$
  76. {g}c<e {gf}g>e {ag}a>e {gf}g>e|
  77. {g}c<e {gf}g>e {ag}a2 {GdG}a>d|
  78. {g}c<e {gf}g>e {ag}a>e {gf}g>f|
  79. {gef}e>d {gf}g>d {gBd}B<{e}G {dc}d>B|
  80. {g}c<e {gf}g>e {ag}a>e {gf}g>e|
  81. {g}c<e {gf}g>e {ag}a2 {GdG}ad|
  82. {g}c<{GdG}e {gf}ga {f}g>e {g}f>d|
  83. {g}e/f/g {Gdc}d>c {gBd}B<{e}G {dc}d2|]
  84. X:6
  85. T:Untitled Reel
  86. C:Trad.
  87. K:D
  88. eg|a2ab ageg|agbg agef|g2g2 fgag|f2d2 d2:|\
  89. ed|cecA B2ed|cAcA E2ed|cecA B2ed|c2A2 A2:|
  90. K:G
  91. AB|cdec BcdB|ABAF GFE2|cdec BcdB|c2A2 A2:|
  92. X:7
  93. T:Kitchen Girl
  94. C:Trad.
  95. K:D
  96. [c4a4] [B4g4]|efed c2cd|e2f2 gaba|g2e2 e2fg|
  97. a4 g4|efed cdef|g2d2 efed|c2A2 A4:|
  98. K:G
  99. ABcA BAGB|ABAG EDEG|A2AB c2d2|e3f edcB|ABcA BAGB|
  100. ABAG EGAB|cBAc BAG2|A4 A4:|
  101. %abc-2.1
  102. %%pagewidth 21cm
  103. %%pageheight 29.7cm
  104. %%topspace 0.5cm
  105. %%topmargin 1cm
  106. %%botmargin 0cm
  107. %%leftmargin 1cm
  108. %%rightmargin 1cm
  109. %%titlespace 0cm
  110. %%titlefont Times-Bold 32
  111. %%subtitlefont Times-Bold 24
  112. %%composerfont Times 16
  113. %%vocalfont Times-Roman 14
  114. %%staffsep 60pt
  115. %%sysstaffsep 20pt
  116. %%musicspace 1cm
  117. %%vocalspace 5pt
  118. %%measurenb 0
  119. %%barsperstaff 5
  120. %%scale 0.7
  121. X: 1
  122. T: Canzonetta a tre voci
  123. C: Claudio Monteverdi (1567-1643)
  124. M: C
  125. L: 1/4
  126. Q: "Andante mosso" 1/4 = 110
  127. %%score [1 2 3]
  128. V: 1 clef=treble name="Soprano"sname="A"
  129. V: 2 clef=treble name="Alto" sname="T"
  130. V: 3 clef=bass middle=d name="Tenor" sname="B"
  131. %%MIDI program 1 75 % recorder
  132. %%MIDI program 2 75
  133. %%MIDI program 3 75
  134. K: Eb
  135. % 1 - 4
  136. [V: 1] |:z4 |z4 |f2ec |_ddcc |
  137. w: Son que-sti~i cre-spi cri-ni~e
  138. w: Que-sti son gli~oc-chi che mi-
  139. [V: 2] |:c2BG|AAGc|(F/G/A/B/)c=A|B2AA |
  140. w: Son que-sti~i cre-spi cri-ni~e que - - - - sto~il vi-so e
  141. w: Que-sti son~gli oc-chi che mi-ran - - - - do fi-so mi-
  142. [V: 3] |:z4 |f2ec|_ddcf |(B/c/_d/e/)ff|
  143. w: Son que-sti~i cre-spi cri-ni~e que - - - - sto~il
  144. w: Que-sti son~gli oc-chi che mi-ran - - - - do
  145. % 5 - 9
  146. [V: 1] cAB2 |cAAA |c3B|G2!fermata!Gz ::e4|
  147. w: que-sto~il vi-so ond' io ri-man-go~uc-ci-so. Deh,
  148. w: ran-do fi-so, tut-to re-stai con-qui-so.
  149. [V: 2] AAG2 |AFFF |A3F|=E2!fermata!Ez::c4|
  150. w: que-sto~il vi-so ond' io ri-man-go~uc-ci-so. Deh,
  151. w: ran-do fi-so tut-to re-stai con-qui-so.
  152. [V: 3] (ag/f/e2)|A_ddd|A3B|c2!fermata!cz ::A4|
  153. w: vi - - - so ond' io ti-man-go~uc-ci-so. Deh,
  154. w: fi - - - so tut-to re-stai con-qui-so.
  155. % 10 - 15
  156. [V: 1] f_dec |B2c2|zAGF |\
  157. w: dim-me-lo ben mi-o, che que-sto\
  158. =EFG2 |1F2z2:|2F8|] % more notes
  159. w: sol de-si-o_. % more lyrics
  160. [V: 2] ABGA |G2AA|GF=EF |(GF3/2=E//D//E)|1F2z2:|2F8|]
  161. w: dim-me-lo ben mi-o, che que-sto sol de-si - - - - o_.
  162. [V: 3] _dBc>d|e2AF|=EFc_d|c4 |1F2z2:|2F8|]
  163. w: dim-me-lo ben mi-o, che que-sto sol de-si-o_.