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- %abc-2.1
- H:This file contains some example English tunes
- % note that the comments (like this one) are to highlight usages
- % and would not normally be included in such detail
- O:England % the origin of all tunes is England
- X:1 % tune no 1
- T:Dusty Miller, The % title
- T:Binny's Jig % an alternative title
- C:Trad. % traditional
- R:DH % double hornpipe
- M:3/4 % meter
- K:G % key
- B>cd BAG|FA Ac BA|B>cd BAG|DG GB AG:|
- Bdd gfg|aA Ac BA|Bdd gfa|gG GB AG:|
- BG G/2G/2G BG|FA Ac BA|BG G/2G/2G BG|DG GB AG:|
- W:Hey, the dusty miller, and his dusty coat;
- W:He will win a shilling, or he spend a groat.
- W:Dusty was the coat, dusty was the colour;
- W:Dusty was the kiss, that I got frae the miller.
- X:2
- T:Old Sir Simon the King
- C:Trad.
- S:Offord MSS % from Offord manuscript
- N:see also Playford % reference note
- M:9/8
- R:SJ % slip jig
- N:originally in C % transcription note
- K:G
- D|GFG GAG G2D|GFG GAG F2D|EFE EFE EFG|A2G F2E D2:|
- D|GAG GAB d2D|GAG GAB c2D|[1 EFE EFE EFG|[A2G] F2E D2:|\ % no line-break in score
- M:12/8 % change of meter
- [2 E2E EFE E2E EFG|\ % no line-break in score
- M:9/8 % change of meter
- A2G F2E D2|]
- X:3
- T:William and Nancy
- T:New Mown Hay
- T:Legacy, The
- C:Trad.
- O:England; Gloucs; Bledington % place of origin
- B:Sussex Tune Book % can be found in these books
- B:Mally's Cotswold Morris vol.1 2
- D:Morris On % can be heard on this record
- P:(AB)2(AC)2A % play the parts in this order
- M:6/8
- K:G
- [P:A] D|"G"G2G GBd|"C"e2e "G"dBG|"D7"A2d "G"BAG|"C"E2"D7"F "G"G2:|
- [P:B] d|"G"e2d B2d|"C"gfe "G"d2d| "G"e2d B2d|"C"gfe "D7"d2c|
- "G"B2B Bcd|"C"e2e "G"dBG|"D7"A2d "G"BAG|"C"E2"D7"F "G"G2:|
- % changes of meter, using inline fields
- [T:Slows][M:4/4][L:1/4][P:C]"G"d2|"C"e2 "G"d2|B2 d2|"Em"gf "A7"e2|"D7"d2 "G"d2|\
- "C"e2 "G"d2|[M:3/8][L:1/8] "G"B2 d |[M:6/8] "C"gfe "D7"d2c|
- "G"B2B Bcd|"C"e2e "G"dBG|"D7"A2d "G"BAG|"C"E2"D7"F "G"G2:|
- X:4
- T:South Downs Jig
- R:jig
- S:Robert Harbron
- M:6/8
- L:1/8
- K:G
- |: d | dcA G3 | EFG AFE | DEF GAB | cde d2d |
- dcA G3 | EFG AFE | DEF GAB | cAF G2 :|
- B | Bcd e2c | d2B c2A | Bcd e2c | [M:9/8]d2B c2B A3 |
- [M:6/8]DGF E3 | cBA FED | DEF GAB |1 cAF G2 :|2 cAF G3 |]
- X:5
- T:Atholl Brose
- % in this example, which reproduces Highland Bagpipe gracing,
- % the large number of grace notes mean that it is more convenient to be specific about
- % score line-breaks (using the $ symbol), rather than using code line breaks to indicate them
- I:linebreak $
- K:D
- {gcd}c<{e}A {gAGAG}A2 {gef}e>A {gAGAG}Ad|
- {gcd}c<{e}A {gAGAG}A>e {ag}a>f {gef}e>d|
- {gcd}c<{e}A {gAGAG}A2 {gef}e>A {gAGAG}Ad|
- {g}c/d/e {g}G>{d}B {gf}gG {dc}d>B:|$
- {g}c<e {gf}g>e {ag}a>e {gf}g>e|
- {g}c<e {gf}g>e {ag}a2 {GdG}a>d|
- {g}c<e {gf}g>e {ag}a>e {gf}g>f|
- {gef}e>d {gf}g>d {gBd}B<{e}G {dc}d>B|
- {g}c<e {gf}g>e {ag}a>e {gf}g>e|
- {g}c<e {gf}g>e {ag}a2 {GdG}ad|
- {g}c<{GdG}e {gf}ga {f}g>e {g}f>d|
- {g}e/f/g {Gdc}d>c {gBd}B<{e}G {dc}d2|]
- X:6
- T:Untitled Reel
- C:Trad.
- K:D
- eg|a2ab ageg|agbg agef|g2g2 fgag|f2d2 d2:|\
- ed|cecA B2ed|cAcA E2ed|cecA B2ed|c2A2 A2:|
- K:G
- AB|cdec BcdB|ABAF GFE2|cdec BcdB|c2A2 A2:|
- X:7
- T:Kitchen Girl
- C:Trad.
- K:D
- [c4a4] [B4g4]|efed c2cd|e2f2 gaba|g2e2 e2fg|
- a4 g4|efed cdef|g2d2 efed|c2A2 A4:|
- K:G
- ABcA BAGB|ABAG EDEG|A2AB c2d2|e3f edcB|ABcA BAGB|
- ABAG EGAB|cBAc BAG2|A4 A4:|
- %abc-2.1
- %%pagewidth 21cm
- %%pageheight 29.7cm
- %%topspace 0.5cm
- %%topmargin 1cm
- %%botmargin 0cm
- %%leftmargin 1cm
- %%rightmargin 1cm
- %%titlespace 0cm
- %%titlefont Times-Bold 32
- %%subtitlefont Times-Bold 24
- %%composerfont Times 16
- %%vocalfont Times-Roman 14
- %%staffsep 60pt
- %%sysstaffsep 20pt
- %%musicspace 1cm
- %%vocalspace 5pt
- %%measurenb 0
- %%barsperstaff 5
- %%scale 0.7
- X: 1
- T: Canzonetta a tre voci
- C: Claudio Monteverdi (1567-1643)
- M: C
- L: 1/4
- Q: "Andante mosso" 1/4 = 110
- %%score [1 2 3]
- V: 1 clef=treble name="Soprano"sname="A"
- V: 2 clef=treble name="Alto" sname="T"
- V: 3 clef=bass middle=d name="Tenor" sname="B"
- %%MIDI program 1 75 % recorder
- %%MIDI program 2 75
- %%MIDI program 3 75
- K: Eb
- % 1 - 4
- [V: 1] |:z4 |z4 |f2ec |_ddcc |
- w: Son que-sti~i cre-spi cri-ni~e
- w: Que-sti son gli~oc-chi che mi-
- [V: 2] |:c2BG|AAGc|(F/G/A/B/)c=A|B2AA |
- w: Son que-sti~i cre-spi cri-ni~e que - - - - sto~il vi-so e
- w: Que-sti son~gli oc-chi che mi-ran - - - - do fi-so mi-
- [V: 3] |:z4 |f2ec|_ddcf |(B/c/_d/e/)ff|
- w: Son que-sti~i cre-spi cri-ni~e que - - - - sto~il
- w: Que-sti son~gli oc-chi che mi-ran - - - - do
- % 5 - 9
- [V: 1] cAB2 |cAAA |c3B|G2!fermata!Gz ::e4|
- w: que-sto~il vi-so ond' io ri-man-go~uc-ci-so. Deh,
- w: ran-do fi-so, tut-to re-stai con-qui-so.
- [V: 2] AAG2 |AFFF |A3F|=E2!fermata!Ez::c4|
- w: que-sto~il vi-so ond' io ri-man-go~uc-ci-so. Deh,
- w: ran-do fi-so tut-to re-stai con-qui-so.
- [V: 3] (ag/f/e2)|A_ddd|A3B|c2!fermata!cz ::A4|
- w: vi - - - so ond' io ti-man-go~uc-ci-so. Deh,
- w: fi - - - so tut-to re-stai con-qui-so.
- % 10 - 15
- [V: 1] f_dec |B2c2|zAGF |\
- w: dim-me-lo ben mi-o, che que-sto\
- =EFG2 |1F2z2:|2F8|] % more notes
- w: sol de-si-o_. % more lyrics
- [V: 2] ABGA |G2AA|GF=EF |(GF3/2=E//D//E)|1F2z2:|2F8|]
- w: dim-me-lo ben mi-o, che que-sto sol de-si - - - - o_.
- [V: 3] _dBc>d|e2AF|=EFc_d|c4 |1F2z2:|2F8|]
- w: dim-me-lo ben mi-o, che que-sto sol de-si-o_.
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